About

Founded by Ángela Fillingham-Wildgoose, we are a boutique literary agency prioritizing exceptional, high-concept storytelling and fiercely dedicated representation.

Boutique Literary Curation | The Barcelona Desk

OUR PHILOSOPHY AND SIGNATURE: CALIBRE OVER VOLUME — A LEGITIMATE, TRADITIONAL LITERARY AGENCY.

Operating from our desk in Barcelona, the Wild Goose Agency is a highly selective, fiercely protective literary management boutique. We do not represent a sprawling roster of authors; but represent visionaries. Our mandate is simple: seek out structurally ambitious, psychologically profound narratives and partner them with the finest editorial desks in the global publishing industry.
We specialize in high-concept upmarket fiction, literary crossover, and immersive epics that bridge the gap between devastating emotional weight and undeniable commercial pacing. We believe that true literary events are not born from chasing trends, but from unapologetic, masterfully executed architecture.

FOUNDER

FOUNDER

Championing International Voices & High-Concept Realism

My name is Ángela Fillingham-Wildgoose, and I am the founder of the Wild Goose Agency. Originally from England and now operating from our Barcelona desk, I have spent close on 30 years representing actors and working closely with producers in film, TV, theatre, and dubbing.
Last year, I expanded into literary representation, driven by the exact same passion for storytelling and character architecture that has guided my entire career. I know how to spot talent, and I know how to champion it.
I am not looking for the story everyone is already talking about. I am looking for the story that starts the next conversation.
As a Literary Agent, I specialize in discovering voices that sit at the intersection of high-concept realism and raw emotion. My roster is built on a specific taste: international fiction and distinct perspectives that challenge the reader rather than comforting them.
My Philosophy:
The publishing industry often chases trends. I prefer to chase the "enigma"—the manuscript that feels slightly dangerous, the voice that is uncomfortably real, and the narrative that lingers long after the final page.
I work closely with my authors to refine these raw, high-concept ideas into polished manuscripts ready for the world stage. I believe that the best fiction doesn't just entertain; it argues for its own existence.